The Strange and Beautiful Sorrows of Ava Lavender - Leslye Walton

"Of the stories and the myths that surrounded my family and my life - some of them thoughtfully scattered by you perhaps - let it be said that, in the end, I found all of them to be strangely, even beautifully, true."

This tale, though quite short, spans three generations, firmly establishing that the strangeness lay in Ava Lavender's blood. 

We start with her grandmother, Emilienne. We follow her through her growing years, her lost loves, the choices that led her to Pinnacle Lane. We learn of her brutal, tragic past, which led to the decisions she would make later in life. We come to understand how this story will likely proceed.

Then, we move on to Ava's mother, Viviane. We see her live her young years as a free spirit, loving freely and deeply, living without limits. We witness how loss makes her shapeless, haunts her for years. We see love at its best, and love at its worst, and we see how one embraces it and lets it go.

Finally, we reach Ava Lavender, a girl born with wings on her back. Her wings bring worship, interest, fascination, and worry, and she is thus hidden from the world, kept away from prying eyes. She has few friends her age, and ignorance of the world outside brings about a chain of events that bring us to the last arc before curtain call.

--

This story was indeed strange and possibly even beautiful (though at times it would be inappropriate to use this word), so much so that it had an aura about it, something special and difficult to explain. It is a story to remember, with characters you would find hard to forget. 

In the beginning, the brutality in certain parts of the piece jarred me. It seemed as if they were brought about by some magic or brief bout of insanity. Sometimes, I found that things didn't make sense or were really sudden, but I had to learn to get over that, because the beginning set the tone for everything else. The stories were in some parts mercilessly cruel, shaped by the desires and emotions of the characters such that harm and unhappiness were inflicted on others. Many events in the story were soaked in tragedy and depravity, and as a result the lives of many were shaped and even defined by them. If one were looking for a nice romance, they would find some specimens in these pages quite unpleasant.

The tagline of the story, "Love makes us such fools.", provides an explanation for that. Love is blind, Love is foolish. Love invokes strong emotions, Love perpetuates rash decisions. Many acts in the books are brought about by Love's devastation, Love's devotion and Love's compulsion. Love can affect people in many ways, sometimes horribly and sometimes kindly. This book managed to unmask the ugly side of Love while preserving its beauty, positivity, and endless potential with different examples, and I love it that much more for that. (Hee.)

The characters were fleshed out remarkably well considering the size of the book and the number of stories unfolding within, and I became attached to them surprisingly quickly. I did not dislike even those who made bad decisions and irresponsible choices (though, I do dislike just the one - however I am pretty sure we were not meant to like that character anyway) and came to treasure them and accept them and their stories. I cherish what I got to experience with them, and would probably do it all over again.

Overall, I liked this story. The story could not have been told in any other way, many characters were beautifully explored, and the greatest message delivered was one of hope and possibilities, something that left me satisfied as I exited the strange and beautiful world I had been granted entrance to.

- Savant

Review: "Ghost Writer" by The Necessary Stage

Are you living a life to fulfill someone else's purpose?

Helmed by Cultural Medallion recipients Alvin Tan and Haresh Sharma of The Necessary Stage, Ghost Writer offers a glimpse into the lives of characters intertwined by blood and ties that bind-and suffocate. 

A young dancer who has undergone traditional training feels dislocated within her artistic practice in her home country. A new expatriate wife detached from her immediate reality draws inspiration from the writings of strangers past and present, and tries to reinvent herself. A teacher seeks to save a school that she had inherited, but finds her quest leaves her more lonely than ever.
A meditative interdisciplinary production that charts the collisions of people seeking to alter their destinies, Ghost Writer grapples with the question of how independent our lives can be. Are we existing based on other people's terms, or can we transcend tradition and memory to rewrite our own stories?

Ahhhhh my heart.

I've always loved Haresh Sharma's works. I'm in love with physical movement. So Ghost Writer was naturally something I wanted to see. And I was not disappointed. Kinda.

Ghost Writer makes use of various art forms: theatre, dance, multimedia and music. Music was played live by Bani Haykal and sung by Namita Mehta, something new that I enjoyed. The various mediums intertwined perfectly to create a stage that looked like something out of a contemporary art museum. The set was simple: a table for actors on stand by to sit at and four screens on wheels. Projections showed character's stories as they spoke, providing exposition to the audience.

The cast did not disappoint. With a mixture of dancers and theatre artists, they were able to perform as one entity, one body as they moved perfectly in time. Sharda Harrison (aka Thespian's goals) was a perfect choice for Nandini, an expatriate wife who copes with the death of her sister years later. Sharda was able to portray Nandini's grief and at the same time distinguish herself from the character when she acted as a narrator and inner voice of others. (Sharda if you're reading this I freaking love you). Ruby Jayaseelan portrayed Priya, a dancer, well, showing her struggle with her Indian roots and origin, the reason for her success but the one thing she pushed away. However, Jereh Leong's character seemed rather redundant, barely making any impact on the storyline.

One may not understand the story when watching the show (I heard many "What the hell?"s after the show) but I personally did not attend for the plot. I attended for the movements and dance. And I left feeling completely inspired. The movements of the cast was so controlled and graceful at the same time. It really makes one wonder how much training it took for them to get it perfect. Times like these, I'm reminded why I love this art and what I want to become.

Ghost Writer may have been avant garde and not really suitable if you're a new comer to the theatre scene. But if you're looking for a feast for the eyes, you've chosen the right show.

-Thespian

Ghost Writer

Ghost Writer
Date: 9 to 12 June 2016
Venue: Esplanade Theatre Studio 
Duration: approx. 70 mins

Are you living a life to fulfill someone else's purpose?

Helmed by Cultural Medallion recipients Alvin Tan and Haresh Sharma of The Necessary Stage, Ghost Writer offers a glimpse into the lives of characters intertwined by blood and ties that bind-and suffocate. 
A young dancer who has undergone traditional training feels dislocated within her artistic practice in her home country. A new expatriate wife detached from her immediate reality draws inspiration from the writings of strangers past and present, and tries to reinvent herself. A teacher seeks to save a school that she had inherited, but finds her quest leaves her more lonely than ever.
A meditative interdisciplinary production that charts the collisions of people seeking to alter their destinies, Ghost Writer grapples with the question of how independent our lives can be. Are we existing based on other people's terms, or can we transcend tradition and memory to rewrite our own stories?


Tickets at http://www.sistic.com.sg/events/ghost0616

They've got a pretty good cast going on here; Ebi Shankara, Sharda Harrison (bless Sharda Harrison). Plus Haresh Sharma has always been one of my favourite playwrights so go and check it out!

-Thespian

Made You Up - Francesca Zappia

"Sometimes I think people take reality for granted."

The story centers around high school senior Alexandra Ridgemont (Alex, for short), who is schizophrenic and suffers from extreme paranoia.

We start with an incident that happened when she was seven: her mother brings her to the grocery store and leaves her in front of the lobster tanks. She spends some time staring at the lobsters, marvelling at the redness of their shells and comparing it to her own very red hair. Then, she meets a boy with the bluest of eyes, gets to know him a little, and together they set the whole tank of lobsters free. Her mother comes back, freaks out, and drags her away from the boy. The end.

Except that's not really what happened.

Lobsters aren't red unless they're boiled, and she hadn't set any of them free at all.

Alex classifies the whole incident as something she'd imagined. The adults around her classify the whole incident as Alex's first sign of schizophrenia.

But then, on the day before her first day at East Shoal, a boy comes to her work place. A boy with the bluest of eyes.

And suddenly, Alex isn't so sure she'd imagined the whole thing.

~.~

Here's the thing: Alex is an unreliable narrator.

We see things from her point of view, so many things she thinks are real are not, while many things she thinks are not real actually are. I cannot tell you how many times I had to think the events in the story over. Even now, I'm not sure what happened at certain points. Sometimes, you just have to accept that some things are not meant to be understood.

Alex struggles constantly with her schizophrenia - she can barely tell what she sees apart, she has to take pictures of so many things because she thinks seeing things through the photographs will help her see them as they really are, and she doesn't want anyone to find out about her schizophrenia because she knows everyone will stop believing what she says and start seeing her as a mental patient on the loose. It is much harder for her to get into college, something that her parents are constantly worried about. It is also much harder for her to interact with other people.

Whenever something was revealed to be part of Alex's hallucination, a part of Alex's world comes crashing down. The small things don't make such a big impact, but the larger things do. These parts are written off as stemming from her imagination, but the thing is that Alex has nothing else to replace these parts with, and they all leave something hollow in their place.

But the thing is, a big chunk of the story could have been a part of Alex's hallucinations, and it wouldn't matter at all. We have to empathise with Alex, understand her. Whatever is in the book is the truth to her, and we have to stop being concerned about the real truth to enjoy her story.

That's one thing I liked about this story.

I also found Alex very admirable, because she tried really hard. She tried to cope with her delusions, she tried to get through her final year so she could go on to college, she tried to help the people around her. She tried to take charge of her life, in spite of everything working against her. Not everyone can do that; not everyone tries. She did, and that made her a great protagonist to follow.

There's romance in this novel (not surprising, considering it is YA), and I have to say I rather liked it. It starts off with a mini prank war (because enemies to lovers is always the best) and slowly develops from there. It wasn't insta-love - at least, I don't think so. The characters revealed parts of themselves to each other slowly, got into fights, and eventually developed trust and came to an understanding. Honestly, it was kind of amazing. The guy, Miles, supported Alex, helping her constantly and believing her even when it was difficult to, and she supported him as he faced his own demons. They were each other's safe place and pillar of support; it isn't hard to believe they fell in love with each other.

Overall, I'm all for this book. It was pretty realistic, it didn't force the ending, and the romance wasn't pushed at the reader. Plus, it was really amusing at some parts. ("I wished I had put more cherries on that slice. The whole jar of cherries. I could watch him eat a whole jar of cherries. Jesus Christ on a pogo stick, what was happening to me?")

I'd recommend this book, especially if you would like to understand how certain people try to cope and live with mental illness. I wouldn't recommend it if you are one to get frustrated by doubt and confusion or bored with a general school setting.

If any of you pick it up, tell me what you think!

- Savant

Ready! Set! Zo!

Ready! Set! Zo!

Date: 25 to 29 May 2016
Venue: The Substation, 45 Armenian Street Singapore 179936
Suitable for: Recommended for 6 to 13 years old
Duration: 50 minutes with no interval

Ready! Set! Zo! is a tongue-in-cheek re-telling of the popular story of the Chinese Zodiac and how the animals got their place on the Lunar Calendar! Join the contestants as they brave all odds to make it across the raging river! This is the race of a lifetime where mischief meets hard work, determination and grace! So if you’re READY, Get SET… and lets ZO!

Devised and developed by CREATIVE EDGE, this is the graduation performance for I Theatre’s Theatre Training Ensemble.

Suitable for ages 6 to 13 years

Tickets at http://www.sistic.com.sg/events/czo0516

Savant and I may not be attending this play but if you have young ones who love theatre, do check it out. The cast is amazing and we're pretty sure that Creative Edge's performance will be better than their last one. Do tell us about it when you get back!

-Thespian

Review: "Cat,Lost and Found" by I Theatre's Creative Edge

How far will you go to be together with the one you love? Originally staged by The Finger Players, Cat, Lost & Found explores themes of love, loss and what happens when nothing is quite as it seems. Featuring a quirky cast of characters including a salesman, his dead mother, a Malay movie hero and 500 ghosts, Cat, Lost & Found tells an unconventional love story between a cat and his usher.

Directed by Jonathan Lum, Cat, Lost & Found is the showcase culmination of 12 months of intensive training in physical theatre, puppetry, mask and live acting by Creative Edge - Theatre Training Ensemble, I Theatre’s youth training wing.[Disclaimer:The following is an amateur interpretation and review of the mentioned performance. If you feel that I've misinterpreted certain aspects of the performance, feel free to let me know in the comments. I'm more than happy to hear different opinions and learn from practitioners  in the industry.]

~.~

"Welcome to Hoover Theatre. May I show you to your seat?"

Savant and I had the chance to watch Cat, Lost and Found performed by the second batch of Creative Edge, i Theatre's youth training ensemble with a few friends. Cat, Lost and Found was performed at the Play Den in the Arts House (aka the old parliament building). The play was showing from 4-6 March, with 2 casts. Cast 1 performed from 4-5 March while Cast 2 performed from 5-6 March.

Thanks to something known as student prices and connections, I personally had the chance to catch both casts in action. The first with Savant, and the second with another group of friends.

The moment we stepped into the black box space, we were greeted by soft Malay music playing in the background (with static for good measure), long rectangular boxes positioned to look like seats, and casts members wearing white smocks over their black clothing, drifting silently around the space and through the aisles. Upstage were three translucent screens, symbolizing a movie screen. One definite thing you would not miss, however, is the chirpy and bright Usher who greets you at the entrance of the Play Den and directs you to your seat. The Play Den itself is an unique space. Formerly used as the general office for Singapore’s first Chief Minister, Mr. David Marshall in the 1950s, seats are placed against the three walls of the black box, instead of the back of the room (more on that later).

Savant and I watched Cast 1 in the afternoon of 5th March. Characters whose actors are not rotated (ie Man, Hero, Narrator) aside, the rest were simply not very impressive. Many characters were one sided, without much depth behind their personalities. Take the Cat Spirit played by Saleha Jubir, for example. Until her last appearance as the Cat Spirit, the character was just angry throughout. Dialogue was mainly growled or yelled out and the lack of any other emotion makes it difficult to sympathise with the character. Theresa Wee-Yenko, however, did manage to pull off an impressive portrayal of the Usher, managing to win the audience over with her naive hopefulness and, very frankly, made me want to hold her and pat her on the head.

Her Cast 2 counterpart was no different. Played by Sim Xin Feng, her version of the Usher was more independent and determined. Special mention also goes to Abby L Kahei's Mother. Portraying a typical Singaporean stereotype, Abby was able to entertain her audience with typical 'Singaporean mother' habits and at the same time pity her as she desperately searches for Meow meow, her deceased husband. One notable moment, when Man (played by Mario Chan) cries ghost, Abby quietly strolls towards the kneeling Mario and gives him a tight slap, berating "You scared of ghost for what? Your mother is also a ghost!" (not the exact quote). 

Abby L. Kahei as Mother and Mario Chan as Man

Lala Gwen Thomas especially stands out in both casts, as Wife and Cat Spirit respectively. Her personality was evident in both characters, something she has previously been praised for. Lala was clearly careful not to lose herself in her two roles and humanised them, giving every reason for us to sympathise with them. Even a puppet of a bird was given its own character. To quote a review from Popspoken (Red Pill Productions Doesn’t Hold Back In Scandalous Debut Play, October 19, 2013): "You can recognise Chua Enlai in whichever role he plays. You will recognise Lala Thomas in whichever role she plays.".

Lala Gwen Thomas as Angel/Cat Spirit

Props to the entire cast for their delivery despite the given circumstances. Due to the unique black box space, there were times where the actors' backs were facing certain audience members. However, the delivery and clarity of their lines made up for being unable to see their facial expression (especially for characters whose faces can't even be seen, ie Angel/Cat Spirit, Hero). Sound effects and music were appropriately and well used, from the slowing heart beat to symbolise a character's death to the comical Malay song played during a dream sequence. 

Overall, Creative Edge was able to put up a pretty impressive performance, considering they had only two months of rehearsals. We look forward to the second showcase from Creative Edge and hope to see the talents in action again during the course of their individual careers.

Theresa Wee-Yenko as Usher

-Thespian

Photos courtesy of Creative Edge-Theatre Training Ensemble.

Heya, Internet!

Right! Let's start off here:

Thespian and I started our blog off on some other website, and we're transferring over to blogspot because our previous site wasn't visible to search engines, and what's the point of having a blog that no one reads, when the very purpose of a blog is to share ideas?

So now, we're here.

We'll be transferring some old posts over (and by old I mean March-ish) which may not be as relevant now as they were then, so don't be confused or put off or anything when you see them. We did start with those posts, after all - it'd be wrong to just trash them.

We're not really sure how all this works (despite past experiences), and we're not the most organised of people, so please forgive us for any mistakes we'll make in the future. We may not post as consistently as we would like, but be kind and give us time - we'll definitely learn and improve.

The comment box will always be open, and we'd love to hear from all of you. We're open to different opinions and would love to discuss all kinds of ideas with all of you. However, we really don't appreciate harsh comments, and anything of the like will be removed at once. I hope we can work together to keep this a safe place for all of us.

That's it for now! Thanks a bunch for staying with us, and we hope you'll enjoy your time here!


- Savant

Update: oh yeah and you can follow us on Instagram @savantnthespian. So yeah. -Thespian